Viola Violar Violence Violet Violin Violoncello

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~ VIOLAR    id+ | RAPE in sp |
~ VIOLENCE  sug> VIS VICIOUS
^u          implies COERCION COMPULSION FORCE and RAPE
     relates to BRUTE BRUTAL              slur> BRUTUS
     id+ | WITLESS  IRRATIONAL SENSELESS BEHAVIOR |
     sp  VIOLENCIA   = VIOLENT FORCE
         VIOLAR        RAPE  DEGRADE  PROFANE
     ukr NESAMOVITIST  LOSS OF CONTROL or WIT   sug> MINDLESS
         NE            NO
           SAMO        SELF
               VIT     WIT
         NASYLNYJ      VIOLENT
         NA            BY
           SYLA        FORCE
         NASYL         FORCED LABOR  RAPE  etc
     lit+ " ALL BEINGS TREMBLE BEFORE VIOLENCE
            ALL FEAR DEATH    sug> NECROPHOBIA
            ALL LOVE LIFE " from
     BUDDHA [75]
     hx> CURRENT TRENDS SHOW AN AMAZING
         RELIANCE ON VIOLENCE AND DEATH
     AS A SUBJECT for MASS ENTERTAINMENT and "RECREATION"
     as if NECROPHILIA ENHANCES LIVING
     ply> | VIOLENCE USHERS DEATH
            VIOLENT SPORTS or
            BRUTAL "ENTERTAINMENTS"
            BRUTALIZE AND BLUNT
            SPECTATORS TO DEATH |
~ VIOLA   or ital VIOLONE or DOUBLE BASS
          akin to VIOLIN but of deeper tone
~ VIOLET  id+ | PURPLE |
          id+ | COLOR of AMETHYST  PLUM  |
     ply> | SKIN BRUISES ARE VIOLET and can be
            a sing of VIOLENCE |
     biol> name of a small wild FLOWER
           med> PURPURA is expressed by
                VIOLET SKIN DISCOLORATIONS |
~ VIOLIN       see> FIDDLE
~ VIOLONCELLO  diminutive of VIOLONE
               all of the above relate to
  myth> REJOICING IN VICTORY under the aegis of the
        GODDESS VITULA who stood for JUBILATION
  lat           VITULARE = JOY
                  TULO     RAISE   as CRY OF JUBILATION
                FIDES      A STRING OF A LYRE or GUITAR
  hx> AS STRING INSTRUMENTS EVOLVED INTO
  lat FIDELA
      FIDELLA
      FIDES
      FIDIS for
  hx> names arose from
  lat UITULA or
      VITULA or in old
  fr  VIELLE and in
  it  VIOLONCELLO or the smaller
      VIOLONE or
      VIOLA da GAMBA and its diminutive or
      VIOLIN
  hx>  Nicolo PAGANINI [#] 1784 - 1840 POPULARIZED
       VIOLINS MADE BY THE GUARNERI [#] FAMILY
  OF CREMONA ITALY  THESE INSTRUMENTS BECAME POPULAR
  BY THE WORK OF PAGANINI WHO PLAYED A GUARNERI "DEL GESU"
  MADE IN 1742   DEL GESU REFERS TO THE "IHS" STAMP
  IN HONOR OF JESUS   IMPRINTED IN GUARNERI INSTRUMENTS
  THE GUARNERI DEL GESU PLAYED BY PAGANINI IS ALSO KNOWN AS
  "THE CANNON" BECAUSE OF ITS POWERFUL SOUND
  PAGANINI BEQUEATHED "THE CANNON" TO HIS HOMETOWN GENOA
  THE INSTRUMENT IS USED IN PERFORMANCES BY THE WINNER OF
  THE INTERNATIONAL PAGANINI COMPETITION
  THERE ARE ABOUT 80 GUARNERI VIOLINS  FAR FEWER THAN
  STRADIVARI WHICH REPRESENT ANOTHER SORT SUPERB INSTRUMENTS
  GUARNERI VIOLINS HAVE THICKER TOP AND BOTTOM PLATES
  MOST VIRTUOSO VIOLINISTS PREFER THEM TO THE STRADIVARI
  note David OISTRACH [#] BEQUEATHED HIS GUARNERI VIOLIN
  to his student Oleh KRYSA [#]
  also a virtuoso from UKRAINE now residing in the USA